Tuesday, July 2, 2019

ITALIAN JEWISH INSTITUTIONS IN SEARCH OF HISTORICAL AMATEUR MOVIES

The project 'I Remember' aims to uncover lost footage documenting Italian Jewish life before and after the Holocaust.

BY 
 
 JULY 2, 2019 11:08
 
1 minute read.
 
    The wedding of Iole Campagnano and Silvio Della Seta in Italy in 1923.
    The wedding of Iole Campagnano and Silvio Della Seta in Italy in 1923.. (photo credit: COURTESY OF PAGINE EBRAICHE)
    A few years ago, Italian Jewish journalist Claudio Della Seta decided to look into a forgotten box that belonged to his grandmother Iole Campagnano. The box contained eleven rolls of 35mm films, shot by his uncle, Salvatore Di Segni. He had captured on camera the wedding of Della Seta’s grandparents in 1923, a family vacation to the Alps in the same period and a trip to the beach.

    The images show an elegant family, exquisitely dressed and happy. No one could fathom that only 15 years later, fascist dictator Benito Mussolini would pass anti-Jewish laws in Italy. Nor that after the Nazis invaded the country in 1943, some of those filmed would be sent to the death camps and murdered.


    The original rolls of the films are presently preserved in Milan's Jewish Contemporary Documentation Center Foundation (CDEC), an independent institute researching Jewish history and culture.

    Della Seta’s extraordinary finding inspired the CDEC to launch the project “Io Ricordo,” (I Remember), which kicked off on Monday. Between July 1 and October 2, anyone who possesses amateur movies documenting Italian Jewish life, from before and in the aftermath of the Holocaust, is invited to reach out so that the material can be digitized and catalogued.

    “It is very hard to find footage as valuable as those filmed by Di Segni, or by the Ovazza family, shot between 1930 and 1936,” CDEC director Gadi Luzzatto Voghera told the Italian Jewish paper Pagine Ebraiche on Monday. “For this reason, we are interested also in films from the period after the war. Their value might be underestimated by those who own them, but they can represent, in today’s image-saturated society, an important tool to explain Italian Jewish history.”

    A major partner in the project is the Cinema d’Impresa National Archive in the city of Ivrea, which will carry out the digitalization of the footage.

    Moreover, the Holocaust Memorial of Milan; the Jewish Community of Turin; the Museum of Italian Judaism and the Holocaust in Ferrara; and the Holocaust Museum Foundation in Rome will serve as collection points.

    The final goal of the project is to develop a digital archive of the footage and make it available to the public, CDEC explained in a statement.

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    AUSCHWITZ EXHIBIT SHOWS HOW PRISONERS USED FAITH TO SURVIVE

    The new exhibit is different from others because it doesn't focus on the brutality of the Nazi's. Instead it shows how faith helped victims and survivors persevere.

    BY JERUSALEM POST STAFF
     
     JULY 2, 2019 10:51
     
    1 minute read.

      Auschwitz exhibit shows how prisoners used faith to survive
      New Auschwitz Faith Exhibit . (photo credit: DANIEL LIBESKIND)
      A new exhibit in Auschwitz, titled “Through the Lens of Faith,” provides visitors a new perspective on how faith played a role in surviving the Holocaust.

      The new exhibit is different from others because it doesn't focus on the brutality of the Nazi's. Instead it shows how faith helped victims and survivors persevere.
      Amud Aish Memorial Museum in New York arranged and organized the new exhibition and the public will be able to visit the display through 2020. It will coincide with the 75th anniversary of the death camp’s liberation by the Red Army.

      The architect, Daniel Libeskind, who helped design the exhibit, used repetitive patterns of panels – symbolic of the prison uniform stripes – to convey imprisonment. The exterior of the display is made of reflective black glass to evoke physical and spiritual freedom.

      “We can’t understand the millions that were murdered in the Holocaust, but we can understand one person’s story. This exhibition brings the stories of the survivors into focus, while weaving their intimate accounts into the context of the camp and contemporary life,” says Libeskind.

      Twenty one panels line each side of the exhibit. The Amud Aish Memorial Museum’s chief curator interviewed 21 Auschwitz-Birkenau survivors and inscribed their experiences and portraits into the steel panels.

      The new portraits were taken of 18 Jewish survivors, two Polish and one Sinti over three years in each survivor's home. Since the photographs were taken, two of the survivors have passed away but their families know their stories will live on through their memories.

      Rabbi Sholom Friedmann, director of Amud Aish Memorial Museum said, “Faith enabled these victims to persevere in spite of the hell they were subject to.”

      The exhibit was sponsored in part by Jewish Russian philanthropist Viktor Vekselberg, who is chairman of the board of trustees at the Jewish Museum and Tolerance Center in Moscow, and who lost 16 members of his family in the Holocaust.

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